- why improvisation may be a more valuable part of musicians’ training than we realize
- the importance of “informal” practice in addition to deliberate practice
- how “micro-improvisation” could be used even in (or perhaps especially in) ensemble settings
- four things skilled improvisers do to get better at improvising, that all of us could incorporate into practice sessions
- and more!
Below are some improv-related apps Dr. Miksza recommended. Because, you know, apps are awesome.
Make and play over background tracks.
A research-driven website that has transcriptions for various jazz artists’ solos coordinated with youtube videos. It also features data from analyses of the improvisations.
Download performances and lessons.
Amazing Slow Downer
Set tempo of music recordings for transcribing or playing along.
And here are references to some of the studies that came up in our chat (in order of when they were mentioned):
Lehmann, A. C., & Ericsson, K. A. (1997). Research on expert performance and deliberate practice: Implications for the education of amateur musicians and music students. Psychomusicology: A Journal of Research in Music Cognition, 16(1-2), 40-58. DOI: 10.1037/h0094068
McPherson, G. E., Miksza, P., & Evans, P. (2018). Self-regulated music learning. In D. Schunk and J. Greene (Eds.), Handbook of self-regulation of learning and performance (2nd Ed.) (p. 181-193). New York, NY: Routledge.
Tarr, C. T. (2016). Practising jazz performance: An investigation into the process that underpins optimal instrumental practice in the jazz idiom. (Unpublished master’s thesis). Edith Cowan University, Australia. Retrieved from http://ro.ecu.edu.au/theses/1921
Miksza, P., Watson, K., & Calhoun, I. (in press). The effect of mental practice on jazz improvisation achievement. Psychomusicology: Music, Mind, and Brain.