Use These 7 Key Preparation Tips to Be More Successful at Your Next Audition
By Noa Kageyama, Ph.D.
Ah…the beginning of another new year. Full of excitement, promise, hope, and resolutions to be made (and broken…). Many of you have probably already jumped right back into full-blown practice mode, as school auditions are just around the corner. With that in mind, here are some key strategies to incorporate into your preparation for audition season, to reduce audition-day jitters and prepare you to do your best when the moment arrives.
Are you familiar with the runner’s adage “Nothing new on race day”? What exactly does this mean? It means making sure one has experimented with and practiced things like pre-race nutrition, in-race hydration, and warm-up routines, also ensuring that socks, shoes, shorts, and shirt are broken-in and not going to cause blisters or chafing.
Thankfully, chafing is not a concern for musicians, but the principle of “nothing new” is a sound one. It means setting up a series of mock auditions for yourself so that you have opportunities to rehearse all aspects of the audition process, from what you eat the day before, to what goes through your mind in the last few seconds before you play the first note.
What are you going to eat the night before? The morning of? What are you going to drink? How much? If you are a regular coffee drinker, are you going to wean yourself off weeks ahead of your audition so you don’t get caffeine withdrawal headaches? Plan all of this out and test it in advance, so that it is part of a familiar routine come audition day. You might find, for instance, that a big pasta dinner works better for you 2 nights before your audition, than the night before.
Keep in mind too that you will be out of town on audition day, and may not feel like dragging yourself around in the cold in a new neighborhood just to find your favorite strawberry fruit-on-the-bottom yogurt or cinnamon crunch bagel with low-fat hazelnut cream cheese shmear. Be sure to practice being somewhat flexible and adaptable in your preparation.
Practice performing in the clothes you plan on wearing, even down to the socks and shoes you plan on wearing (this impacts pianists more than other instrumentalists, but still).
Here too, practice being somewhat flexible as well – you never know when the airline might misplace your luggage and your favorite heels, or lucky Spongebob Squarepants boxers.
Run a few mock auditions on different pianos, a sub-par set of timpani, or a string slightly out of tune. Don’t allow yourself to be thrown off even if the instruments aren’t exactly to your liking.
Conduct your mock auditions in less than idea environments. Try big rooms, small rooms, cold rooms, hot rooms, and rooms with acoustics of various types.
If at all possible, scope out the room you will be auditioning in the day before. Walk around in it, play a few notes if you can, and take a mental snapshot of the space so that you can mentally rehearse having a great audition in that space as part of your mental preparation the day before (or even earlier if you already are familiar with the space). This is actually a tremendously helpful thing to do — be resourceful and find a way to make it happen.
4. Warm-up routine
Have an established warm-up routine that you utilize every day. When I took martial arts classes in grad school, ritual and routine were part of our preparation for class. Unfolding the uniform, putting it on in a certain order, making sure everything was in order and tying everything together just so, bowing in, warming up, stretching, etc. all were part of the training experience.
It’s the same thing for musicians. We all have a particular way of taking out our instrument, adjusting it, and getting it ready to play. We may have a stretching routine, or play scales, or slowly through the openings of our repertoire. Whatever it is, don’t just go through the motions, but be mindful of the steps you take, seeing this as an important ritual that gets you into the right mindset for effective practicing or performing. Such a routine can become almost meditative, and is a valuable process for clearing your mind and getting mentally prepared to go train/practice/perform. Try it, you’ll see what I mean.
Know what piece you want to start with, in the likely event that you are given a choice.
First impressions are key, and your jitters will likely be greatest before you begin playing, so practice the first line or two of each piece to death, making sure this is rock-solid and that you feel exceedingly comfortable with the very opening.
But also practice starting at other places in each piece, where the committee might reasonably have you start. Ask a friend to select random pieces from you list and have you start at reasonable starting locations that you are not accustomed to beginning with.
You never know what a committee will ask for, and while you can’t possibly have everything prepared at the same high level, you can at least develop a comfort level with unpredictability, such that you aren’t thrown off your game and mentally say “oh, crap” when asked to begin with the piece that you least expected them to ask for.
6. Pre-performance routine
Be sure to develop a mental routine to go through in the last few moments before you play – a routine which will help you eliminate distractions, clear your mind, and get you focused on the task at hand. Centering is one such pre-performance routine, and you can certainly experiment with and tweak it as needed to make it work for you. Even something as simple as hearing the first few measures vividly in your head before beginning can help to clear out extraneous mental chatter and set you up for a better opening.
Last, but not least…
Think of all the practicing you are doing, and combine this with the other daily responsibilities and demands that life and school place on you. What is the result? Physical, mental, and emotional fatigue.
In a study of Stanford University athletes, researchers found that increasing sleep led to greater alertness and vigor (no surprise there), faster reaction times, greater accuracy, speed, and explosive power. In short, improved performance. Note that just a couple nights of good sleep won’t cut it. Since most of us are operating on what sleep researchers call a sleep debt, you’ll probably need at least several weeks of sleeping 9-10 hours a day in order to begin reaping the benefits. What? 10 hours? Sounds crazy, I know, but think about how much better you feel when you’re well-rested vs. after a week of cramming for exams and all-nighters.
Can we play pretty darn well when we’re sick or tired? Certainly. Michael Jordan demonstrated as much in his so-called “flu game.” But it’s awfully difficult, takes tremendous focus and will, and the level of performance we reach is not likely to be on par with our absolute best. Make things easier for yourself and just get more sleep. There will be plenty of time to catch up on re-runs of The Office after the audition…
The one-sentence summary
“Before anything else, preparation is the key to success.” ~Alexander Graham Bell
Performance psychologist and Juilliard alumnus & faculty member Noa Kageyama teaches musicians how to beat performance anxiety and play their best under pressure through live classes, coachings, and an online home-study course. Based in NYC, he is married to a terrific pianist, has two hilarious kids, and is a wee bit obsessed with technology and all things Apple.
After Countless Hours of Practice, Why Are Performances Still so Hit or Miss?
It’s not a talent issue. And that rush of adrenaline and emotional roller coaster you experience before performances is totally normal too.
Performing at the upper ranges of your ability under pressure is a unique skill – one that requires specific mental skills and a few tweaks in your approach to practicing. Elite athletes have been learning these techniques for decades; if nerves and self-doubt have been recurring obstacles in your performances, I’d like to help you do the same.
Click below to discover the 7 skills that are characteristic of top performers. Learn how you can develop these into strengths of your own. And begin to see tangible improvements in your playing that transfer to the stage.